VISTA II – SOLO CELLO LEGATO
The first module in the VISTA II series, exploring sympathetic-resonance legato
The first module in the VISTA II series, exploring sympathetic-resonance legato
Vista II – Solo Cello Legato is the first module from Vista II. The library explores a sympathetic resonance type bow-change legato. The sympathetic resonance approach here takes a new recording style which (a) causes more of the instrument to be resonating when the musician plays the intervals in question and (b) gives the musician a stronger frame of reference in terms of pitch, leading to subjectively more musicality and intonation accuracy. This is combined with an unavoidable post-production process to “clean up” the recordings and make them more presentable, as they are not functionally usable by default as with a more traditional session.
*triggered by repeating a note while holding down the sustain pedal
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Vista II – Solo Cello Legato.nki
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Here are some aspects of the library that might affect your purchasing decision. Putting together this list is always very subjective when I’m in the final stages of production, and just because something appears in library limitations here doesn’t mean it isn’t an “issue” in other PS libraries where I didn’t mention it in that library’s “limitations” area. Here are a few things, in no particular order:
Pre-note Ambience
You can hear the ring-out from a previous note, on the attacks. More obvious on farther mics (even with ADSR attack slope adjustments). Example shows farther mics, then a close mic for reference.
Noise
Noise reduction is minimal (less than Pacific – Ensemble Strings). And this is not noise floor work, it’s just subjective spot fixes on release samples. The audio in the Pre-Note Ambience section above shows what you can expect with the release samples. There are also some instances of instrument noise on certain intervals. A few examples:
Timbral Anomalies
For solo string legatos, this is nothing new with my libraries (the shift when interval fades back into sustain). I’ve done a lot to improve it over past libraries in this case, but here’s an example playing some more ‘troublesome’ intervals (with a couple less troublesome ones included for reference).
There are some anomalies in the sustain loops as well (mainly because they’re solo strings).
Other / Misc
Legato delay might be too long for some users’ preferences (180 ms). In part because of the timbral sensitivity of the sustain start (that the interval fades into), it’s not possibly to control the sample offset from the GUI.
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